The press release: Gagosian Gallery announces Lindsay Lohan, Richard Phillips' first short film. In his 90-second motion portrait of Lindsay Lohan, Phillips draws on the conventions of his painting that explore the legacies of classical portraiture in relation to the mediated representations of contemporary popular culture.
The film depicts Lohan in a number of classical poses, with references to iconic moments in film, such as Brigitte Bardot smoldering in Jean-Luc Godard's Contempt, or the searing psychosexual interplay of Bibi Andersson and Liv Ullman in Ingmar Bergman's Persona. To create a timeless and psychologically charged Hollywood setting, Phillips repurposed a remote Malibu mansion, but freighted it with the speculative desire of contemporary cinematic performance.
Through Phillips's lens, the defiant openness that makes Lohan so compelling on film becomes the ignition key of each image; the pause before action that allows for the identities of actor and director to meld, where expectation and projection contrast with the construction of multilayered identity.
In these full-frame motion portraits of Lohan, Phillips repudiates the cynical expediency associated with the artistic and commercial convention of the screen test by examining and exposing its manipulative and coercive undertones. He thus works to subvert this carefully constructed form, presenting Lohan as released from acutely mediated narrative representation.
"Lindsay has an incredible emotional and physical presence on screen that holds an existential vulnerability, while harnessing the power of the transcendental—the moment in transition. She is able to connect with us past all of our memory and projection, expressing our own inner eminence." -Richard Phillips
Richard Phillips’ Lindsay Lohan will be included in Commercial Break, presented by the Garage Center for Contemporary Culture in Venice, June 1 - 5, concurrent with the 54th Biennale di Venezia.
Credits: Directed by: Richard Phillips and Taylor Steele Director of Photography: Todd Heater Costume Designer: Ellen Mirojnick Creative Director: Dominic Sidhu Art Director: Kyra Griffin Editor: Haines Hall Color mastering: Pascal Dangin for Boxmotion Second Director of Photography: Alejandro Berger Directors’ Assistant: Katerina Llanes Wardrobe Stylist: Ira Hammons-Glass Hair Stylist: Aaron Light Make Up Stylist: Mylah Morales Photographer: Christelle De Castro Photographer's Assistant: Gregory Brouillette Music: Tamaryn and Rex John Shelverton Production: GE Projects Typeface(s): Jean-Luc by Atelier Carvalho Bernau
Richard Phillips would like to thank Lindsay Lohan, Eleanore Lieven, Melissa Lazarov, John Good, Natalia Bonifacci, Doug Aitken, Aimee Walleston, Michelle Finocchi, Ania Diakoff, Patrik Sandberg, Chrisitian Kaemmerling and Group Lotus, Lynne Mannino at Spotwelders, Nadia Sadigianis at Box Studios, Jess Rotter at Mexican Summer, Mark Mayer, Celestine Agency, MILK Studios, Chateau Marmont, and Gagosian Gallery. Special thanks to Josephine Meckseper.
View more videos from "Commercial Break," presented by the Garage Center for Contemporary Culture: www.commercialbreak.org
A new tv commercial and an augmented reality projection for Bombay Sapphire gin have launched as part of their Infuse Your Imagination campaign. The campaign is born out of the rich heritage and story of the product itself; infusion is linked to the innovative production process of Vapour Infusion used in the making of the gin and imagination relates to the brand's story, from the launch of the pioneering blue bottle to the botanicals that give Bombay Sapphire its unique, balanced and uplifting taste.
The "Project Your Imagination" on London's Battersea Power Station:
The London Landmark Battersea Power Station was illuminated Wednesday night in a rainbow of changing colors as part of an ambitious £100,000 3D projection coinciding with a new ad campaign, 'Infused with Imagination,' from Bombay Sapphire.
The imaginative design was created by Erjola Veliaj from Albania following a global competition by Bombay Sapphire and an image of the winner herself was projected onto the building in honor of her contribution. The first chapter in a new global campaign from Bombay Sapphire, 'Infused with Imagination,' the imagination installation is a specifically commissioned three-dimensional visual artwork representing the essence and character of Bombay Sapphire.
Working with some of the world’s best creatives to make the 3D spectacular projection come alive, Erjola saw her imagination become a reality at Battersea Power Station, the first of a series of 3D installations to be projected on iconic buildings in various cities around the world. The technique involved in the projection, being coined ‘4D’ by its producers, was unique to most as rather than being stereoscopic, it employed 3D lighting, CGI technology and the architecture of the building itself to produce a stunning depth.
If you never saw first their wonderful augmented reality projection, from 2010, "Project Your Imagination", take a look at this :
The "Infuse Your Imagination" television commercial:
Inspired by the word 'Infused' and constructed using the unique imagination of a design team including up-and-coming illustrator Yehrin Tong and renowned photographer, Richard Foster, the Imagination Installation is a dramatic but elegant testimonial to the brand in Tong's distinctive illustrative style.
Incorporating elements that represent the product, the 3D piece has been intricately created with over 75,000 sparkling crystals, all meticulously applied by hand and taking over 2,500 hours to fashion. The installation embodies the timeless elegance, luxury and craftsmanship of Bombay Sapphire.
Filmmaker and photographer Matthew Donaldson filmed model/actress and professional Korean Table Tennis champ Sooyeon Lee in a slow motion homage to both sport and fashion. The skilled and sexy Sooyeon is wearing fashions by Versace, Jil Sander, Christopher Kane, Mark Fast, and Christian Louboutin as she skillfully demonstrates her Ping Pong prowess in the one minute and 48 second film created for Nowness.
Designer Geraldine Chevrolet was commissioned by stylist Katie Shillingford to create the bespoke fringed tights, gloves and hat that are paired with the couture.
Tennis Table champ Sooyeon Lee serves as an Ambassador for actress Susan Sarandon's SPiN, a chain of ping-pong clubs which counts Lee as its ambassador and has locations in New York, Toronto and Hollywood. "It's become very trendy," Lee observes. "It's sociable, you don't need to be super athletic and it's good for the brain."
A clip of Sooyeon Lee from the Killerspin championships:
It is the first time that The Paris Museum of Film (La Cinémathèque française) hosts a travelling exhibition not initiated by their own teams but by those of another institution. This Kubrick exhibition owes its existence to the Deutsches Filmmuseum in Frankfurt and to Hans-Peter Reichmann, its Curator, who designed it in 2004 in close collaboration with Christiane Kubrick, Jan Harlan and The Stanley Kubrick Archive in London.
Since 2004, the exhibition has opened with success in several cities: Berlin, Zurich, Gand, Rome and Melbourne, before coming to the Cinémathèque.
Posters from his most famous films:
The archives of Stanley Kubrick contain numerous and precious working documents: scenarios, correspondences, research documents, photos of film shoots, costumes and accessories. The exhibition, film after film, includes the unfinished projects: Napoleon that Kubrick hoped to direct and his project for a film on the death camps, Aryan Papers. These materials allowed Cinémathèque to get backstage and better understand the narrative and technical intentions of the director who was a demigod of world cinema, a secret and fascinating figure. The exhibition will be installed on two floors of the Frank Gehry building, on the 5th and 7th stories, owing to the bulk of the materials exhibited, including large-scale models and interactive digital installations.
The Stanley Kubrick Exhibition occupies two floors of Frank Gehry-designed La Cinémathèque française (5th and 7th), covering an area of nearly 1,000 sq meters.
click to enlarge:
The exhibition has already had immense public success in several cities around the world: Berlin in 2005, Melbourne in 2006, Gand in 2006-2007, Zurich in 2007, and Rome in 2007-2008.
above: filming 2001: A Space Odyssey
The Stanley Kubrick Archive contains numerous and precious working documents : scenarios, correspondences, research documents, photos of film shoots, costumes and accessories (among them the survival-kit from Dr. Strangelove, the Starchild and the ape‘s costume from 2001: A Space Odyssey, costumes from Barry Lyndon…), as well as a very detailed documentation of his unfinished and cult projects, such as Napoleon (1968-1973).
above: Jack's axe from The Shining
These documents are presented exclusively in this exhibition, which also retraces the first artistic steps of Stanley Kubrick, who started his career as a photographer for the American magazine Look in the 1940s. Dozens of prints, mostly unpublished, from the collection of the Library of Congress (Washington D.C.), prove that the very young Kubrick already had a solid grasp of visual composition. The exhibition offers us the opportunity to go backstage and to understand the technical inventions of Kubrick (the slit-scan, for example). The special effects are explained by large-scale models and interactive digital installations.
Definitely worth seeing is the on-line exhibition, the best of web creation on Kubrick, a contest in partnership with Dailymotion.
The origin of the exhibition by Christiane Kubrick, Jan Harlan & Hans-Peter Reichmann. In the preface of the official catalogue, Christiane Kubrick, Jan Harlan and Hans-Peter Reichmann evoke the origin of this exhibition and go back over the figure of Stanley Kubrick:
During the 43 years we were married, the question of what to do with the personal effects in case of one of us should die never arose. (…) The suggestion by the Deutsches Filmmuseum to mount an exhibition which after Frankfurt and Berlin might travel the world presented itself as an incentive to deal with the task and to honour Stanley at the same time. The aim was to chose items which best represent Stanley’s involvement in all aspects of film-making. (…) -- Christiane Kubrick
An actress of German origin, Christiane Kubrick married Stanley Kubrick in 1958. She played the German singer in Paths of Glory and produced paintings and sculptures for the sets of the films A Clockwork Orange and Eyes Wide Shut
The whole idea seemed strange at first. Exhibiting Stanley’s equipment, his plans, notes, photos? It did not feel right and would have been unthinkable during his lifetime, yet on careful reflection and discussion with Christiane Kubrick it became quite clear that while his privacy had to be guarded, his professional output was for all to be seen to celebrate the life of a great film maker. (…)Overcoming obstacles was part of his personality and one of the passions that spiced up his life. I am reminded of Jean Cocteau’s famous remark : ”I didn’t know that it was impossible, that’s why I did it.” That was Stanley’s approach too. So we undertook the impossible. We had a vast amount of material in many places in England and America, countless boxes full of notes, photographs, correspondence, scripts, reams of draft pages, plans, a huge library and a truckload full of equipment. All this would be meaningless in an exhibition unless we succeeded in making it relevant and could provoke enthusiasm in a visitor to watch Stanley’s films – again or for the first time. --Jan Harlan
Assistant director in 1957 on the film Paths of Glory, Jan Harlan became the brother-in-law of Stanley Kubrick who married his sister Christiane Harlan and, from Barry Lyndon in 1975, was the executive producer of all his films. In 2001, he directed the documentary Stanley Kubrick, A Life in Pictures.
There are many superlatives and they are readily repeated in attempts to explain Stanley Kubrick and his oeuvre. Only few of his contemporaries actually met him. Those who did meet him were often pushed to their limits, yet remain full of admiration. (…) Stanley Kubrick was selftaught, read widely, researched, and questioned everything. He developed plans only to abandon and redefine them according to his own unique and incomparable vision. As a director and producer, Kubrick created worlds of images that to this very day hold an unbroken fascination and continue to inspire and provoke their audience. (…)The exhibition stands out for the interplay of materials from the Estate – props, written documents, photographs, technical film equipment – and walk-through installations that recapture the atmosphere and themes of the individual films. The interdisciplinary exhibition draws attention to Kubrick’s visionary adaptations of influences from the fine arts, design, and architecture and enables us to experience the film cosmos of one of the great artists of the 20th century in all three dimensions.--Hans-Peter Reichmann
Director of exhibitions at the Deutsches Filmmuseum and Curator of the exhibition on Stanley Kubrick, Hans-Peter Reichmann was also, among others, curator of exhibitions on Marlene Dietrich (1998) and Klaus Kinski (2001).
that Kubrick hoped to direct and his project for a film on the death camps, 
