Showing posts with label modern furniture. Show all posts
Showing posts with label modern furniture. Show all posts

Thursday, June 30, 2011

White Fiberglass Skull Chair By Pool.




This simple, modern white fiberglass skull chair, by Léa Padovani & Sébastien Kieffer of Pool, made its debut at the 2011 Milan Furniture Fair.




"Souviens toi que tu vas mourir, chair” (translated :"Remember that you will die") is described by the designers as "an emblematic monobloc chair reinterpreted as an expression of vanity. This memento mori represented by a skull acts as a leitmotiv for those who seek the comfort of a chair and the ceremonial act of being seated."



photos ©Benjamin Le Du

material : fiberglass
dimensions : L55cm W50cm H88cm


Pool is Léa Padovani & Sébastien Kieffer. They live and work in Paris.

Tuesday, June 28, 2011

The Private Property Collection Of Graffiti Artist Designed Furniture From Alife X Uhuru.






New York Art Department's PRIVATE PROPERTY is a collaborative project between downtown New York lifestyle brand ALIFE and Brooklyn-based contemporary furniture manufacturer Uhuru (perhaps you recall the post I did on Uhuru's Coney Island furniture line).



The exhibition, which was at The Hole in New York's Bowery, featured sustainable furniture by Graffiti artists Earsnot (Ear) Irak, Semen (Semen Irak aka SeMeN SPeRmS), Jim Joe, KR (Craig Costello aka Krink), Max Fish (Bar and Art Gallery) & ALIFE.



The PRIVATE PROPERTY furniture collection consists of the following pieces:


EARSNOT AND SEMEN IRAK:


EARSNOT IRAK Antique MOD Mirror:
Antique Mod Mirror, steel-framed, floor-length mirror. Etched by EARSNOT, President of NYC's IRAK Crew. Dimensions: 30"x80"Accompanied by a certificate of authenticity. Edition of 2. $7500



SEMEN IRAK Antique MOD Mirror:
Antique Mod Mirror, steel-framed, floor-length mirror. Scratched and cracked by SEMEN of NYCʼs IRAK Crew. Dimensions: 30"x80" Accompanied by a certificate of authenticity. Edition of 2. $7500

Artists Earsnot and Semen at work on the mirrors:





MAX FISH


MAX FISH Slab table and chairs:
One-of-a-kind hardwood slab set on trapezoid steel legs with 4 1X1 metal and wood chairs. Marked by Max Fish patrons overthe month of April 2011.Table dimension: 84"x42"x29.5", Chair dimension: 17"x18"W x35"Accompanied by a certificate of authenticity. One-of-a-kind. $25,000







JIM JOE:


JIM JOE on LAP Coffee Table:
1/4" Aluminum plate and solid wood 3"x3" base. Drawn on by Jim Joe.
Dimensions: 46"x46"x16" Signed by the artist and accompanied by a certificate of authenticity. Edition of 4. $7500


underside of the coffee table:


Artist Jim Joe at work on the coffee table:



additional images of Jim Joe coffee table courtesy of Seth Lassman's (Setlasmon) fabulous sets on Flickr

KR aka Krink aka Craig Costello:


KR on SUMMER SNOW Benches:
Solid Ash tops over 1"x1/2" steel tubing powder coated white. Painted by Craig Costello. Dimensions: 60"x16"x18"Signed by the artist and accompanied by a certificate of authenticity. Edition of 5. $7500




ALIFE NYC:


ALIFE NY CRACK Table:
1/4" steel plate with 1/2" glass top. Dimensions: Base: 26.5"x41"x15.5" Top: 48"x34" Signed and numbered. Accompanied by a certificate of authenticity. Edition of 15. $3600



ALIFE Metal STOOLEN:
A metal version of Uhuruʼs signature stool, created in 4 custom colors for ALIFE.Dimensions: 16"x18"Signed and numbered. Accompanied by a certificate of authenticity. Edition of 15. $1800



About the Metal Stoolen: The Metal Stoolen was created using scraps of steel from Brooklyn area metal shops. Bundled together haphazardly and encased in a ring of longer pieces, the hollow ends of metal form the objectʼs top. This produces a dynamic pattern filled with highly charged empty space. The effect is like a photonegative of the original Stoolen. The eye-catching powder coating adds to the pieceʼs sculptural quality and highlights the tension between positive and negative space.



(NY Mag) PRIVATE PROPERTY brings together high-end sustainable furniture design and downtown New York graffiti culture: The project counts on the participation of infamous graffiti writers EARSNOT, SEMEN, JIM JOE and KR; legendary Lower East Side hang out Max Fish and its unruly clientele; and lifestyle brand ALIFE—all of whom have produced self-titled pieces.


To be displayed for sale during New York Design Week, the idea behind the project began as a friendly conversation between Alife and New York Art Department founders Robert Cristofaro and Arnaud Delecolle, and Uhuru founders Jason Horvath and Bill Hilgendorf. The four agreed to collaborate and create a New York-centric project that would represent all partiesʼ respective areas of expertise.

The result is a unique collection of handcrafted sustainable furniture that plays with the concept of vandalism, private property and each's appropriation of the other. PRIVATE PROPERTY is produced by creative consultancy and design company New York Art Department with support of lifestyle brand-consultancy company WhY-Q.

"The collaboration between ALIFE and Uhuru creates a dialogue between designers and artists, Urban landscapes and interiors. Ultimately, it will aim at producing a merging of viewpoints to challenge conceptions between fine art and furniture," says Jason Horvath.

“This project allows ALIFE to play and execute with yet another medium. This is the first time ALIFE applies its vision to furniture, but it's something we've wanted to do for a long time. It's more quality content from the ʻalifevisionʼ,” says Arnaud Delecolle.

“The artists selected for this project represent Alifeʼs vision of the New York graff scene. Each individual chosen in this lineup is recognized within the New York downtown lifestyle as a trailblazer in his respective niche. Whether it be manufacturer of art supplies, DJ to the “Downtown”, wordsmith or just an infamous personality within the graffiti scene, all have all paid dues and contributed to this art form,” says Rob Cristofaro.

"Getting involved with NYAD to produce Private Property was a no brainer for WhY-Q. For the past 10+ years WhY-Q has produced avant-garde events such as Ryan McGinley's first solo exhibition & the NY Minute Exhibition in Rome, we felt this was one of those events: Real New York street art collaborating with real New York high end furniture design. It hasn't been done before," says Why-Q Partner Teddy Liouliakis.

Alife opened in 1999. One of its main goals then was to showcase people around it whose work enriched our lives with original ideas and the honest commitment to the qualitative execution of those ideas, independently of the medium. From fashion to graffiti, this was the criteria we lived by. Also, we had to like the end product.

the press release:
New York Art Department, 201 —The artists and contributors that are part of this project meet these same requirements and were asked to participate because of their contribution to the downtown graffiti scene:

Earsnot and Semen Sperms of the infamous IRAK crew. Over the years, both—each in their own way--have destroyed vast amounts of private property with undisputed flair and attitude, represented here with two of the most destructive marking techniques.

Craig KR Costello, a downtown ambassador of good taste and purveyor of fine inks and markers to street vandals and studio artists alike, brings controlled chaos with his well-known and often imitated KRINK drips.

A witty newcomer with art school charm, JIM JOE showcases the melding of art education, graffiti culture and his personal obligation to illegally write his name and phrases everywhere, as evidenced by the threatening note attached to The Hole gallery door by a neighbor.

Legendary Lower East Side watering hole and artist safe haven, Max Fish and its patrons provide us with the colorful impromptu composition of layered drunken vandalism characteristic of its bathrooms on Ludlow street.

Finally, Alife comes in as the curator and long-time supporter of the scene with its stamp of approval: NY CRACK



ALIFE X UHURU DESIGN: PRIVATE PROPERTY ran from MAY 14 – MAY 17, 2011, some of the items are now up for auction at Blacklots.

images courtesy of Alife, Uhuru, High Snobiety, Metro Velvet and Alife on Flickr.

Thursday, June 23, 2011

The Baby C Cradle - A Modern Walnut Wood-Lined Womb For Infants.




The Baby C is a modern cradle inspired by the warm, closed environment of a mother’s womb. With a polyethylene shell and a walnut wood interior, the cradle comes with a specially designed mattress:







earlier in the design progress:



Designed by Dripta Roy, co-founder of Puur Design Studio. Available in Europe this fall for €2650 + taxes, by winter in North America—can be pre-ordered at sales@puur.ca.

Wednesday, June 22, 2011

The Ovei Pod, A Personal Cocoon In Various Forms From Artist-Decorated to Gaming.





above: Designer Lee McCormack with the Vince Fraser decorated Ovei (more pics later in the post)

The Ovei Pod is a self contained unit with a built-in 5.1. surround sound system, variable lighting control, climate control, luxury leather seating and the latest flat screen technology.








Way back in 2002, British designer Lee McCormack conceived the first, embryonic form of the Ovei. With ‘i-pod’ already registered by Apple, he instead called it the ‘Oculas’:



In 2005 discussions began with McLaren Applied Technologies – the specialised design & technology division within the McLaren Group – culminating in the all-new Ovei. Various customizable versions, specially designed SPA versions, gaming versions, branded versions and artfully decorated ones (like the one by Vince Fraser shown further down in this post) have since been designed.



In addition to the black and white ones shown, the Ovei can be produced in various colors:

And various styles:


“Ovei is inspired by the evolution of modern architecture, design and technology during the past twenty years. The underlying concept, is a sanctuary for the individual. It’s not about isolation or disconnection, it’s about nurturing inner wellness and strength. Focused and invigorated we perform better and become more resilient to the aggressive demands of modern life. The Ovei is now recognised by renowned architects and designers as a perfect compliment modern residential and commercial projects”.-Lee McCormack.

Designer McCormack in his Ovei:


The Ovei Pod at the 2009 Monaco Yacht Show:



The HALO 3 Gaming Ovei:


F1 Racer Lewis Hamilton in the Johnnie Walker Ovei:


Vince Fraser's 3D Ovei:

Vince Fraser with his decorated Ovei:

Vince Fraser 3D Ovei photographs by Christoffer Rudquist.

See Vince Fraser's promotional film for his Limited Edition 3D Ovei here.

Ron Dennis, the Chairman and CEO of the McLaren Group, sits in the Ovei 8 elements Wellbeing Capsule:


The Ovei pod has appeared in multiple exhibitions like the London Science Museum’s Fast Forward F1 technology exhibition:


Acoustics.
The Ovei format creates a perfect 5.1 surround sound environment; the interior has an acoustic surface design treatment supported by optimal material density.

Visuals.
The main viewing screen is positioned at an optimal 60cm from the user. Where necessary, additional side and control interface screens provide surround viewing.

Seating.
The seating position is designed to support the length of the body, reducing stress on the back for maximum comfort. The reclined position is surrounded by armrests, touch screen capabilities, work surface and screen positioning to facilitate the optimal work, play or rest conditions.

Encapsulation.
Ovei is a fully enclosed environment. Optional windows allow use within environments like schools, where a clear view of occupants is needed. As an encapsulated environment all external distractions are removed. This enables greater cognitive application to the task at hand.

Mobility.
Ovei is a plug and play device that can be transported and placed in almost any environment indoors or, in some cases, outdoors. Ovei can be deployed to remove the need to build traditional room environments. It is lightweight, easy to dismantle and erect, robust and hardwearing. It requires only 1m by 2m floor space.

Technology.
The design and engineering of Ovei focus on creating the perfect experiential environment for the user. The team’s approach to technology is one of facilitation; Ovei can incorporate most types and formats of existing consumer technology. In instances where Ovei is required for a specific function, the design team has created bespoke hardware and software.

Modular Design.
Ovei has been designed for maximum application flexibility. The device accommodates one, two or three people by addition or removal of extension modules. The interior works on a modular basis, transforming easily between videoconferencing, flight simulation, diagnostics, gaming, marketing etc. Mobile devices are supported by updating the mobile device module.

Branding.
Ovei offers a comprehensive suite of branding opportunities.

Exterior:
Window branding
Half exterior
Full exterior
Floor placement mat
Exterior Screen
Sponsors Placard Stand

Interior:
Seating fabric
Table area
Screen, speakers, and control devices

Screen based branding:
Corner logo permanent
Star-up screen welcome
Sign off screen message
Banner advertising
Interface screen branding
Advertising Commercials

Other:
Bluetooth Broadcasting
Augmented Reality Tools


The Ovei team will work with you to configure, install and support suitable capsules. In exchange for sharing your findings with us, the agreement gives you market sector exclusivity to use Ovei for the period of the trial.

Demonstration kiosk showcasing software, hardware or media? Point-of-Sale? Promotional device? Brand-building tool? Creative workspace? Everything is possible.

To discuss your ideas or proposals and for full commercial trial detail, get in touch.

Ovei